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影视建筑二十年前的日本,不仅是亚洲,也是全球的电影大国。影院鼎盛期1960年,共有影院7457家,座位322.3万个及观众近11亿。计12500人一家,29人一座位,年人均进影院12次。影片制作的高峰1966年,共719部,相当一天出两部故事片,居世界之首。然而,也正是在六十年代,日本的电视机台数翻了六番半,普及率由37台/(千人)猛增至216台/(千人),基本上户户有了电视机,其中1/3为彩电。这就导致自六十年代后半期,影院业与制片业一落千丈,至七十年代被称之为“夕阳西下”的行业。到1980年,全日本仅有影院2364家,观众1.6亿,只相当二十年前的32％及15％。艺术片一年仅有几十部。此时电视机普及率为254台/(千人),比十年前上升有限,表明已饱和。但彩电比重则由28％增至90％,居全球之首,质量上加强了与影院的
Japan and the United States 20 years ago was not only Asia but also a global movie power. In the heyday of the theater, in 1960, there were 7457 theaters, 3.223 million seats and nearly 1.1 billion spectators. It counts 12,500 people, 29 seats, and 12 cinemas a year. The peak of film production in 1966, a total of 719, quite a day out of two feature films, ranking first in the world. However, it was also in the 1960s that the number of TV sets in Japan had increased by 65% and the penetration rate had soared from 37 units/(thousands) to 216 units/(thousands). Basically, households had TV sets. One third of them are color TV sets. This has caused the cinema industry and the film industry to plummet from the second half of the 1960s to being called the “sunset” industry in the 1970s. By 1980, there were only 2,364 theaters in Japan and 160 million viewers, only 32% and 15% of those 20 years ago. There are only dozens of art films a year. At this time, the television penetration rate was 254 units/(thousands of people), which was a limited increase from a decade ago, indicating saturation. However, the proportion of color TVs increased from 28% to 90%, ranking first in the world, and the quality of the TVs has increased.