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浙江山水画家卓鹤君在西方鲜明的现代绘画语言与东方幽邃的传统审美观念融合中形成了自我风格,以抽象的现代性著称于世,这与他关注于宇宙的图像有关。传统和现代被卓鹤君看作是可以交融的两种心灵导引,以在浩瀚苍茫的宇宙中寻求自己“灵魂印迹”。《黄山月影图》以“月影”来阐述“黄山”的意境。烟云横空,月色晦明,风雨适来,飘乎远来,卷舒苍翠,荡乎无形,仍归飘渺的境界。作者运用西方全景式的视觉结合中国传统山水画的高远法将黄山高
Zhuo Hejun, a Zhejiang landscape painter, formed his own style in the fusion of the distinctive modern painting language in the West and the traditional oriental aesthetic concept. He is known for abstract modernity, which is related to his focus on the image of the universe. Tradition and modernity are regarded by Zhuo He-jun as two kinds of spiritual guides that can be blended in order to find their own “soul mark” in the vast vast universe. “Huangshan Moon Map” to “Moon Shadow” to elaborate “Huangshan ” artistic conception. Cloud of clouds across the sky, dark moonlight, rainy weather to come, floating far, volume Shucu green, swirling invisible, still go ethereal realm. The author uses Huangshan Mountain with the lofty method of combining western panoramic vision with traditional Chinese landscape painting