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今年是傅雷逝世50周年,纪念活动接踵踏来,也使我们见到更多的相关文献与评述。笔者对于傅雷的认识当然是从《傅雷家书》开始,后来开始读他翻译的小说,由于此后在大学读了美术史专业,从而才发现,傅雷在某种程度上和自己是同行,故而《世界美术名作二十讲》等书不断进入视野。更在近十年前,有幸从事了美术馆工作,在研究过程中发现傅雷在其艺术的人生中,还有诸多对中国艺术发展的推动,他与庞薰琹、倪贻德
This year marks the 50th anniversary of the death of Fu Lei and commemorative activities are coming one after another, which also enables us to see more relevant documents and comments. Of course, the author’s understanding of Fu Lei began with “Fu Lei Jia Shu” and later began to read his translated novel. Since then, he had read the history of fine arts in college and only found out that Fu Lei was in a certain degree traveling with himself. Therefore, “the world Fine Arts master twenty ”and other books continue to enter the field of vision. More than a decade ago, I was fortunate enough to work in an art museum. During my research, I found that Fu Lei, in his artistic life, has many other impetus to the development of Chinese art. He and Pang Xun 琹,