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「中国青年报」在一九五五年一月十三日发表了一篇刘华、李滨所写「青年演员们的苦闷」的文章,揭露了北京人民艺术剧院领导上对培养新生力量不够重视的一些情况,显然这个问题是严重的,也是带有普遍性的,不仅是北京人民艺术剧院所独有的。应该促起我们整个戏剧界的注意。青年演员们提出通过艺术理论、文学作品的学习和艺术实践得到培养和提高的要求,完全是正常的。可是,在目前有些剧院、剧团的领导上,对于青年演员如何进行培养,如何发挥他们的力量的问题,却不但不加重视,而且还存
On January 13, 1955, China Youth Daily published an essay by Liu Hua and Li Bin on “the perplexities of young performers”, exposing the inadequacy of the leaders of the Beijing People’s Art Theater in nurturing freshmen In some cases valued, it is clear that this issue is serious and universal, not only unique to the Beijing People’s Art Theater. It should arouse the attention of our entire theater. It is perfectly normal for young performers to raise the requirement of training and improvement through the study of art theory, literary works and artistic practice. However, at present, on the leadership of some theaters and troupes, the issue of how to train young performers and how to exert their power is not only emphasized but also kept