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认识黄宾虹2000年3月,我在北京中国美术馆举办个人画展,座谈会上我提出一个观点,中国绘画以宋代划线,即宋以前,中国绘画从无法到有法;宋代以后,中国绘画从有法到无法。近三年,我集中时间读钱穆先生的著作,钱先生在《中国文化史导论》一文中说,中国文化,先秦定思想,汉唐定规模,艺术则唐宋定方法,后人实行。我发觉我的判断真是与钱先生的论述一些不差,不谋而合。这恰好印证了钱先生的另一句话,
Understanding of Huang Binhong In March 2000, I held an individual art exhibition at the China National Art Museum in Beijing. At the forum, I put forward a view that Chinese painting drew lines from the Song Dynasty before the Song Dynasty, and that Chinese painting could not be realized until the Song Dynasty. From the Song Dynasty, Law to impossible. In the last three years, I concentrated on reading the writings of Mr. Qian Mu. In his article “An Introduction to Chinese Cultural History,” Mr. Qian said that Chinese culture, pre-Qin thinking, Han and Tang Dynasties scale and art are the Tang and Song dynasties and the descendants practiced it. I found that my judgment is really some of Mr. Qian’s argument is not bad, coincide. This just confirms another word of Mr. Qian,