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中国现代文学史上,曹禺与巴金两位文坛巨匠,扩大了文学的影响,做出了不可替代的卓越贡献。曹老从《雷雨》、《日出》、《原野》、《北京人》到改编巴老的《家》;巴老从《激流三部曲》、《憩园》及其《寒夜》,他们的笔下都以“家”为中心题材,成功而生动地塑造了“家”的那个被封建制度以及黑暗的社会现实所腐蚀至衰败如同梦魇般的形象,并以“家”的悲剧呼出人的解放,追求理想、自由的时代强音。本文正是通过分析比较二者笔下“家”的印象、人物性格及类型、“家”的命运及出路等方面的异同,并简要探索成因,来尝试分析这一现象。
In the history of Chinese modern literature, both Cao Yu and Ba Jin literary masters enlarged the influence of literature and made irreplaceable contributions. Cao Lao changed his name from “Thunderstorm”, “Sunrise”, “Wilderness” and “Beijinger” to “Home” In their writing, they focused on the theme of “home”, successfully and vividly portrayed the image of “home” being corrupted by the feudal system and the dark social reality as decaying like a nightmare, “Tragedy exhaled people’s liberation, the pursuit of the ideal, free time strong tone. This article attempts to analyze this phenomenon by analyzing and comparing the similarities and differences between the two images, the character and the type of the characters, the fate and the way out of the ”home", and briefly explore the causes.