论传统戏曲的说戏制度

• 作 者: 吕珍珍
• 机 构: 广州大学人文学院、文学思想研究中心,
• 出 处: 戏曲艺术
• 发表日期: 2016年02期
• 关键词: 传统戏曲 戏曲表演 戏曲创作 主体性 戏班 程式性 程砚秋 演员表演 王瑶卿 导演制度

在导演制被引入戏曲领域之前,说戏是传统戏曲普遍采用的排演方法。说戏的形式多样,有详有略。说戏人多由戏班中其他从业人员(主要是演员)兼任或转化而来的。传统戏曲之所以采用说戏制而非导演制,源于戏曲高度的程式性和戏曲创作以演员表演为中心的体制。说戏制度的存在意义,在于它充分尊重演员在戏曲表演中的主体地位,为演员创造性的发挥提供了一个自由、开阔的空间。

Before the introduction of the director system into the field of drama, drama was the rehearsal method commonly used in traditional operas. There are many forms of play The actor is said to be mostly part-time or transformed by other practitioners (mainly actors) in the troupe. The reason why traditional operas use drama instead of director system stems from the height of the drama and the drama-based system of performing performers. The significance of drama system is that it fully respects the actor’s dominant position in the drama performance and provides a free and open space for the creative play of the actors.