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本栏目《在全球结构中文化的制度化》、《罗伯特·勒帕杰的〈龙之三部曲〉》、《文学化戏剧——它能存在到下世纪末吗?》三篇文章均系去年年底举办的’98上海国际小剧场戏剧节暨学术研讨会上发表的论文。在该次研讨会上,众多中外专家学者既有对各国风起潮涌的小剧场戏剧的评介;更有进一步廓开学术视野,将戏剧艺术在世界范围内的流变置放于我们当今所共处的这个新的时代背景前,各抒己见地进行了热烈而严肃的学理性探讨。 关于小剧场戏剧,本刊在上期曾特辟专栏,登载了包括台湾学者在内的我国四位专家的论说。这里,我们继之再组织译介了保罗·珀隆等三位国外戏剧研究家的述作,以期给广大读者提供更多些视角,有助于国内的戏剧同行们更全面地了解当今戏剧艺术最新的发展动向,以及进一步促进与之相关的理论探讨。
This column, “Institutionalization of Culture in the Global Structure,” “Robert Leapper’s The Trilogy of the Dragon,” “Literary Drama - Can It Exist By the End of the Next Century?” All three articles were published last year At the end of the ’98 Shanghai International Theater Theater Festival cum Symposium published papers. At the seminar, many Chinese and foreign experts and scholars not only reviewed and criticized the drastic rise of theater in each country, but also further narrowed their academic field of vision and put the flow of drama in the world at the same time. Before this new era of background, each express their views to a warm and serious academic discussion. As for the drama of small theater, we published a special column in the last issue, which included the arguments of our four experts in China, including Taiwan scholars. Here, we then organize the translation and introduction of the works of three foreign theater researchers such as Paul Perron in order to provide more readers with more perspectives, which will help domestic theater colleagues to understand more about contemporary theater arts The latest development trends, and to further promote the theoretical discussions related to it.