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徐州琴书是采用徐州方音以说唱相间的方式叙述表演的“小书”类曲艺“说书”形式。因主要伴奏乐器为扬琴、云板和坠琴、二胡等,故早期俗称“打扬琴”或“唱扬琴”。又因已知的最早艺人及其活动年代是在清代的同治年间,所以,一般认为形成于那个时期。而从所采用的主要唱腔曲调是属[凤阳歌]和[垛子板]等等的情形去看,其形成渊源,与当地的小曲演唱尤其是附近地区同时流行的苏北琴书和山东琴书,又有着难以撇清的血缘关系。至于从形成初期即与当地流行的“丝弦”演唱的密切关联,包括节目的移植、曲调的借用、尤其是艺
Xuzhou Qin Shu is the use of Xuzhou square tone to the way of rap narrative performance “little book ” type of art “story ” form. Because of the main accompaniment of musical instruments for the dulcimer, cloud board and piano, erhu, etc., so the early commonly known as “play the dulcimer ” or “singing dulcimer ”. Because the earliest known artists and their activities were in the era of Tongzhi in the Qing Dynasty, they were generally believed to have formed during that period. From the main melody of the melody used is the case of [Fengyang song] and [pallets board] and so on to see the formation of its origin, and the local opera singing, especially in the vicinity of the popular North Jiangsu and Shandong Qin piano books, There are also difficult to understand the kinship. As for the close relationship with the local “string” singing from its inception, including the transplantation of programs, the borrowing of tunes, especially the art