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对电视剧叙述时况的探究沿递进思路从两个级次展开:首先梳理叙述时序、时长的常态处置;然后转向本文重心,对省略、重复、悬置、逆转四个典型修辞维度逐一考察,分析了省略行动如何截断绵延的叙述之流,使其呈现出跳跃感、空隙化甚至空白化,由此加强意义的纵深感;针对剧情连续性、动作渐进化而设的重复策略在宏观、中观、微观层面的运用,造就了叙述流程的静止或倒退状态,将观众接受从一味的故事欣赏引向对文本意义的关注;悬置通过有意延长情绪时间、重新整合叙事进程强化了观剧期待;逆转则对常规叙述线路加以干预,有意修改、颠覆叙事的逻辑进程,达成出奇不意的审美效力。
The research on the present condition of the drama narrates from two steps: firstly, it sorts out the normal disposal of narrative time and duration; then, it shifts to the focus of this article and examines the four typical rhetorical dimensions of omission, repetition, suspension and reversal, This paper analyzes how omission truncates the stream of narrative, making it appear jumping feeling, voids or even blank, thus strengthening the sense of depth of meaning. The repetitive strategy aimed at the continuity of the story and the gradual action is in the macro, The application of the concept and the microcosmic level has brought about the state of rest or reversal of the narrative process, which has led the audience to accept the blind attention from the appreciation of the story to the meaning of the text. The suspension reinforces the expectation of the drama through deliberately prolonging the emotional time and reorganizing the narrative process ; Reverse is to intervene in the conventional narrative lines, intends to modify, subvert the logic of the narrative process to achieve surprising aesthetic effect.