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昆曲里不能少了一管笛子,就像太湖里不能没有桨声,老宅边不能缺一棵桂花树。时隔20年,我们这一班昆曲学生始终对昆笛念念不忘。一支苦竹笛,和那种细长柔慢、绵绵不断、静若禅定的味道,像杜丽娘的“袅晴丝”一样,一直在心底慢慢缠绕。终于,今年夏天的一个下午,这股情丝终于理出了一段头绪,老师周秦、同窗晓东与我一同再度寻访昆笛工坊。和几十支默默的上好昆笛一起等待我们的,是精工笛箫的苏作传人张力,在他满是竹香的二楼工作坊里,选好心仪的笛箫相问师承,张力的师父让我会心一笑,他正是江南乐器界赫赫有名的邹叙生。
Kunqu opera can not be less than a tube of flute, like the lake can not do without paddle, the old house can not miss a sweet-scented osmanthus tree. After a lapse of 20 years, our class Kunqu Opera students never forget about the Kunlun. A bitter bamboo flute, and the kind of slender, slow, continuous, calm if the taste of meditation, like Du Li Niang “delicate cymbidium ”, has been slowly wrapped in my heart. Finally, one afternoon of this summer, this stock situation finally came up with a clue. Teacher Zhou Qin and his classmate Xiaodong again went with me to visit the Kunti Workshop. And dozens of silently waiting for us with the good Quetzal, is the successor of the Seiko flute Xiao Zong Zhang, in his full bamboo incense on the second floor of the workshop, the choice of favorite flute Xiao teacher asked, tension Master made me smile. He is the famous Zou Xusheng in Jiangnan musical instrument industry.