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小提琴“半音模进式”琶音练习是以每提高半个音变一个调的方法,即以每半个音一个把位的观念来演奏十二个调八种琶音。它们分别是降A调、A调、降B调、B调、C调、降D调、D调、降E调、E调、F调、降G调、G调。以此作为熟练掌握一、四指在两条弦上的八度框架的核心目的,同时也是对以往琶音练习非常实用的补充。上一期我介绍了降A调(四个降号),本期将介绍A调(三个升号),因为把位相同、指法相同,所以同时介绍E调、B调一个八度的琶音的练习。
Violin “Chromatic Modulo” Arpeggio practice is a method of raising one tone for each half-tone, that is, using twelve-tone eight-tone arpeggios in a one-septoral tone. They are the lower A, A, B, B, C, D, D, E, E, F, G, G. As a master of one or four fingers in the two octaves on the two core framework of the core purpose, but also for the previous Arpeggio practice very complementary. In the previous issue, I introduced the A-drop (four minus). This issue will introduce A-tune (three-ascending), because the same bit, the same fingering, so at the same time introduce the E tone, B tone an octave Pa Sound exercises.