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人往往留恋往日的雪泥鸿爪。当岁月将人带走之后,还能有什么呢?作为艺术家都有一个心愿,让作品比自己的生命活得更久远,或者说让生命在自己的作品中得以延续。然而,真正能够实现这一心愿的艺术家恐怕不会太多。但是真正的艺术家一定得怀有这个心愿,并为之苦苦地奋斗。创意是魂当全国上百家电视台相继播出长达百集的电视片《百家姓·寻根问祖》时,四面八方的观众来信几乎一致赞赏节目的创意。作为该片的总策划和总编导,我深深体会到:创意是电视节目的魂,倘若魂不附体,节目就平淡乏味了。电视片《百家姓》的创意,最初萌生在为一套卫星节目的企划中。因为卫视节目受众面广,众口难调,节目企划必须打破地域局限、年龄隔阂及文化差异,要
People often nostalgia for the mud snow hung paws. When the years take people away, what else can be done? As an artist, there is a wish that works will live longer than their own lives, or let life be renewed in their own works. However, there may not be too many artists who really can fulfill this wish. But real artists must cherish this wish and work hard for it. The idea is that when hundreds of television stations nationwide have televised hundreds of TV series titled “A Hundreds of Surnames, Roots and Roots,” an audience from all walks of life almost always congratulated on the program’s ideas. As the film’s chief planning and general manager, I deeply appreciate: creativity is the soul of television programs, if the soul is not attached, the show flat and boring. The idea of a TV series “Baccarat” was originally conceived in the planning of a satellite program. Because of the wide range of TV programs and audiences, it is imperative that program planning must break geographical limitations, age barriers and cultural differences.