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中国古典美学对美的理解,有两条线索,一条线索是从哲学本体论——道论出发,引申出美学本体论——境界论,不仅得出“美在境界”的结论,还产生了“妙”、“神”、“逸”、“清”等美的命名,这些概念重在揭示道的某方面的性质。另一条线索,则是从审美发生论出发,从现实人的生存与发展,创造了“美”这一概念,从关注人的生存功利到关注事物的形式。这两条线索并不对立,在发展过程中也相互重叠。“丽”这一美的命名,就是这两条线索重叠的产物,既突出形式的美,也重视内容合于道。
There are two clues to understand the beauty of the Chinese classical aesthetics. One clue is to start from the philosophical ontology - Taoism and extend the theory of aesthetics on the realm - not only to conclude that “beauty is in the realm ”, but also to produce The names of such beautiful names as “Wonder ”, “God ”, “Escape ” and “Qing ” are all important in revealing certain aspects of Taoism. Another clue is to start from the aesthetic theory, from the reality of human existence and development, created the concept of “beauty ”, from paying attention to the survival of people’s interest to the form of attention to things. These two clues are not opposed and overlap each other in the process of development. The beautiful name of “Li” is the product of the overlapping of these two clues, which not only highlights the beauty of form but also emphasizes the content being in harmony with Tao.