“安史之乱”中的京都诗歌创作

• 作 者: 吕蔚
• 机 构: 华南师范大学国际文化学院,
• 出 处: 唐都学刊
• 发表日期: 2009年05期
• 关键词: 安史之乱 京都 盛唐诗人 杜甫 王维

长安与洛阳是唐王朝政治文化中心,在唐诗发展史上处于中心地位。“安史之乱”中,两京仍是诗人停留和关注的中心地带之一,他们的创作成为这一区域文化构成的重要因素。这一时期,两京的诗歌创作呈现出阶段性的特点:一是沦陷时期的诗歌创作;一是收复时期的诗歌创作。这两个阶段的诗歌构成了“安史之乱”中京都诗歌的艺术风貌。

Chang’an and Luoyang are political and cultural centers of the Tang Dynasty, and they are at the center of the history of the development of Tang poetry. In “The Annals of An Shi”, the two Beijings are still one of the central areas where the poets stayed and focused, and their creation became an important factor in the cultural composition of this region. During this period, the two Beijing poetry creation showed the characteristics of period: one is during the fall of poetry creation; one is recovered poetry creation. The poems of these two stages constitute the artistic style of Kyoto poetry in An Annotated Order.