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五四运动以后,在“西学东渐”的文化背景与蔡元培提出的“以美育代替宗教”口号的影响下,中国画家进行了积极的实践与探索。新中国成立以来,在老一辈艺术家的努力下,水墨人物画家们颇具创新性的笔墨语言,以新形式表现新题材的创作实践经验均对中国画的现代化转型做出了巨大的贡献。前辈们的努力和成功应当成为我们学习的楷模。除此之外,如何继承和发扬前辈们的创新精神?如何创作出符合时代特质,反映时代气象的优秀作品?这些问题应该是我们迫切需要思考的。在那个特殊的革命年代和新中国成立后的生产建设时期,文艺为工农兵服务成为一
After the May 4th Movement, under the influence of the cultural background of “Eastward Learning of Western Learning” and the slogan of “Aesthetic Education instead of Religion” put forward by Cai Yuanpei, Chinese painters carried out active practice and exploration. Since the founding of New China, thanks to the efforts of the older generation of artists, the ink-and-wash painters’ innovative pen-language and the practical experience of writing new forms of new themes have all made great contributions to the modernization of Chinese painting. The efforts and successes of our predecessors should be examples of our learning. In addition, how to inherit and carry forward the innovative spirit of their predecessors? How to create outstanding works that are in keeping with the characteristics of the times and reflect the weather in the times? These problems should be urgently thought out by us. In that particular era of revolution and the period of production and construction after the founding of new China, literature and art served the workers, peasants and soldiers as one