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在20世纪中国战争叙事当中,民族话语与女性话语之间存在着总体合作又不乏矛盾的关系:在《生死场》、《我在霞村的时候》、《风萧萧》等文本中,一方面女性形象必须通过民族话语的提升才能获得主体性,另一方面民族话语又压抑了女性个体丰富的情感与个性要求。总体看来,两者关系是以民族话语为主导的,女性借民族而塑形,女性话语通过民族话语的面目展示自己。
Among the narratives of Chinese war in the 20th century, there exists a general contradiction between the national discourse and the female discourse: in the texts of “the field of life and death,” “when I was in Xia Village,” “the wind is rustling,” on the one hand Female images must obtain the subjectivity through the promotion of national discourse. On the other hand, the national discourse suppresses the rich individual feelings and individuality requirements of individual women. Generally speaking, the relationship between the two is dominated by national discourse, while women are shaped by the nationality while female discourse shows themselves through the discourse of national discourse.