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自从他的理论性文章《略论音乐的一种新美学》发表以来,布梭尼(Ferruccio Busoni,1866—1924)就被认为是本世纪音乐领域中最具独创性的思想家之一。在那篇论文中,以及后来发表的其它许多文章中,他不仅对当时的作曲方法和工具表示了不满,而且竭力鼓励别人同他一道,努力把音乐从过去的传统中解放出来。这种研究的目的是为了检查布梭尼所论及的领域中的某一方面,并弄清楚他的思想在他的创作实践中得到多大程度的反映。
Ferruccio Busoni (1866-1924) has been considered one of the most original thinkers in the field of music in this century, since his theoretical essay “A New Aesthetics of Music” was published. In that essay, as well as in many other articles that he later published, he not only expressed dissatisfaction with the methods and tools of composition at the time, but also endeavored to encourage others to join him in his efforts to free the music from its past traditions. The purpose of this study was to examine one aspect of the area covered by Buschness and to see to what extent his ideas were reflected in his writing practice.