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施得恩·纳多尔尼的《缓慢的发现》如惯常的后现代文学作品那样,以发现者为主角,反映了英国航海家和北极研究者约翰·富兰克林的生活。在小说文本层面,“慢”作为身体特性和权力原则,在大海与冰原的历险中慢慢转化,确立起小说主角与外在世界之间变化的关系。在文本层面之外,慢的原则作为早期工业化时代和现代社会中速度原则的对立面,让我们意识到,在速度虚妄和进步信仰的另一边,可以存在不同的基本经验与时间维度,并提供了一种希望:我们不必永远“固守于现时的破坏性”。从中,可读解出作家对现代社会速度原则的批评性反思。
Stein Nadorni’s “slow discovery,” as usual in postmodern literature, focuses on finders and reflects the life of British navigator and Arctic researcher John Franklin. At the novel level, “slowness”, as the principle of body characteristics and power, gradually transforms itself into the adventures of the sea and ice fields, establishing the changing relationship between the protagonist and the external world. Beyond the text level, the principle of slowness, as the antithesis of the principle of speed in the early industrialized and modern societies, reminds us of the different dimensions of basic experience and time that exist on the other side of the speedy falsehood and the progressive belief and provide One hope: We do not have to “stick to the destructive now” forever. From this, we can read out the author’s critical reflections on the principle of the speed of modern society.