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百余年来,随着当代意义上的曲艺艺术的不断发展,在一大批学者、前辈的努力下,曲艺理论研究工作亦取得了相当丰硕的成果,但相较于曲艺创演活动的丰富与活跃,曲艺的理论研究则显得既薄弱又滞后。不仅整体的曲艺理论体系尚未真正确立,且在针对实际发生的一些曲艺现象、正在演出的一些曲艺作品以及曲艺演员的评价上,往往缺乏及时有效的理论引导和价值判断,尚未能起到更好的促进和推动作用。众所周知,文艺的创作与评论犹如鸟之双翼,车之双轮,缺一不可。那么,在当前大力提
In the past hundred years, with the continuous development of folk art in the contemporary sense, considerable efforts have been made in the study of folk art with the efforts of a large number of scholars and predecessors. However, compared with the rich and unique Active, folk art theory appears to be both weak and lagging. Not only the overall system of the theory of folk art has not yet been established, and in the light of the actual occurrence of some folk art phenomena, the performance of some folk art works and the evaluation of folk opera actors often lack timely and effective theoretical guidance and value judgments, Good to promote and promote role. As we all know, literary creation and commentary is like a bird’s wings, a car of the round, are indispensable. Well, in the current vigorously