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意境是中国传统美学思想的重要范畴,是情与景高度融合后所体现出来的艺术的生命境界。马远夏圭的山水画继承李唐的局部取景并将其推向极致,独辟蹊径,以边角取景创造了一种萧散简远、平淡天真、清新雅致的新意境。本文将结合两位绘画大师的作品,从“情景交融的生命之境”“虚实相生,无画处皆成妙境”“象外之象、言有尽而意无穷”三个方面具体阐述马远夏圭山水画的意境。
Artistic conception is an important category of Chinese traditional aesthetics thought, which is the realm of art which is embodied by the high integration of emotion and scenery. Ma Yuan Xia Gui landscape paintings inherited Li Tang’s partial viewfinder and to its extreme, inventive, corner framing created a casual, naive, fresh and elegant new mood. This article will combine the works of two masters of painting, from the realm of life in which scenes of scenery blend in with each other. There is no such thing as " Three aspects elaborate the artistic conception of Ma Yuan Xia Gui landscape painting.