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中国人物画的历史悠久,曾出现过光辉的高峰,也形成了独特的人物画理论体系。但到了晚清文人画的末流,因袭守旧,远离现实,而日见式微失去了艺术的生命力。近代以来,西方写实绘画的引进,既给画坛以冲击,又给古老的中国画注入活力。人物画革新的先行者们,面向现实,创作出呼唤民族觉醒、别开生面的作品。给后来人物画的发展以重大影响。新中国成立后的五、六十年代,我国画界又学习、引进饿罗斯巡回展览画派和苏联社会主义现实主义绘画的创作方法,曾涌现出一批主题思想鲜明、艺术风格新颖,揭开了中国画人物画历史新篇章的作品。这些昂扬着时代新风的艺术创造,有相当一部分出自新中国培养出来的中青年画家之手,他们朝气蓬勃,艺术感觉敏锐,一时群星灿烂。陈忠志是其中成绩不凡的一位。当时活跃在画坛上的新星,如周昌
Chinese portrait painting has a long history, had a glorious peak, but also formed a unique theoretical system of figure painting. But in the late Qing Dynasty literati painting the last, due to attack the old, far from the reality, and daily opinion slightly lost the vitality of art. Since the modern times, the introduction of Western realistic paintings has not only given an impact on the painting festival but also injected vitality into the ancient Chinese painting. The forerunners of the figure painting innovation face the reality and create works that call for the awakening of the nation. Later, the development of figure painting to a significant impact. After the founding of new China, the fifties and sixties of the 20th century, our country’s painting circles studied and introduced the method of creation of the roosevelt rover exhibition pavilion and the Soviet socialist realism painting. There emerged a series of distinctive themes, novel artistic styles, The Chinese painting portraiture history of a new chapter of the work. A great part of these high-profile artistic creation created by the New China comes from the young and middle-aged painters cultivated by the People’s Republic of China. They are full of vigor and vitality, and their artistic feeling is very keen. Chen Zhongzhi is one of the extraordinary achievements. Nova was active in the art scene, such as Zhou Chang