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今年1月17日中共中央政治局常委、全国政协主席李瑞环指出:振兴京剧.当前要抓两件事,一是抓演员和剧目,抓演员必须从小抓起;二是抓观众和普及,要把普及京剧知识、培养青年观众作为一件大事来抓。仔细琢磨,茅塞顿开!此讲话真是一言九鼎,不仅深刻地揭示了中国戏曲危机之原因,并高瞻远瞩地指出了振兴中国戏曲的必由之路!粤剧也和京剧一样,危机始于现代中年人一代,原因也大致相同。我曾在《重新审视粤剧危机》一文中论述过粤剧危机的外因和内因(载《南国红豆》96年第一期),恕在此不再复述。如何振兴粤剧?李瑞环的讲话也符合粤剧的实际。
On January 17 this year, Li Ruihuan, member of the Standing Committee of the Political Bureau of the CPC Central Committee and chairman of the CPPCC National Committee, pointed out: To revitalize the Beijing Opera, there are two things to grasp: one is to cast actors and repertoire, and the actors must start from an early age. The other is to grasp the audience and popularization, To popularize Peking Opera knowledge and cultivate young audiences as a major event. This speech is really a long story, not only profoundly reveals the reasons for the crisis of the Chinese opera, and pointed out the only way to revitalize the Chinese opera! Cantonese opera and Beijing Opera, the crisis began in the middle-aged generation of modern Chinese, the reason Also roughly the same. I have discussed the external and internal causes of the crisis in the Cantonese opera in the article “Revisiting the Crisis in Cantonese Opera” (the first issue of “Southern Red Bean” in 1996) and will not repeat it here. How to rejuvenate Cantonese opera? Li Ruihuan’s speech is also in line with the actual Cantonese opera.