由正书入行书

• 作 者: 陆家衡
• 机 构: 沧浪书社,苏州市书法家协会艺术指导委员会,
• 出 处: 中华书画家
• 发表日期: 2017年06期
• 关键词: 沙曼翁 何绍基 颜鲁公 篆隶 从学 行草书 二王 赵孟 回腕法 祭侄稿

从学书的渊源来说,我最初受父亲影响,写颜鲁公、赵孟頫一路的正楷,20世纪80年代以后,受宋季丁、沙曼翁的影响写隶书。我当时对行书创作没有感觉,不知道如何跟古人接轨。后来,突然感到之前写的篆书和隶书对行书很有帮助、很有启发。特别是受何绍基影响,为什么他的行书在晚年有自己的风格,原因就在于他在篆书、隶书上下了很多的功夫。从这个意义上说,我觉得以前的篆隶功夫

From the origins of school books, I was initially influenced by my father and wrote the block letters of Yan Lu and Zhao Mengfu all the way. After the 1980s, I wrote the official scriptures under the influence of Song Jiading and Shaman Weng. I did not feel the idea of ​​writing at the time and did not know how to get in touch with the ancients. Later, I suddenly felt that the seal script and the official script written before were very helpful and entertaining. In particular, influenced by He Shaoji, why did he practice his own style in his later years? The reason is that he spent a lot of effort on the seal script and the official script. In this sense, I think the former Zhuanli Kung Fu