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中国陶瓷器物有尚天趣一说,天趣是除去人为的技术与技法,在自然烧造中形成的材质不同程度的发挥,是一种不可复制与模仿的偶得,也是器物引人称奇的妙处。如窑变。然而,装饰,则是一种在工艺美术的范畴内,表现人工匠心的一条法则。装饰也是陶瓷艺术的灵魂语言,不论是图案与绘画,相对于器物造型本身来讲,都可以纳人装饰的范畴中,装饰可以使得器物活化,使得平常的器物在装饰的作用下变得生动活泼,带有生活的趣味。本文从装饰的角度出发,以装饰性为主要探讨对象、来研究装饰在陶瓷艺术中的意义。
Chinese ceramic objects have a blessing to say that the ultimate interest is to remove the artificial techniques and techniques, the material formed in the natural burn to varying degrees, is a kind of can not be copied and imitation of the even, but also surprising artifacts Miao Department. Such as kiln change. However, decoration is a law that shows the craftsmanship in the category of arts and crafts. Decoration is also the soul of ceramic art language, both the pattern and painting, as opposed to the shape of the object itself, can accommodate the context of decoration, decoration can make the utensil activation, making ordinary utensils in the role of decoration becomes lively , With the fun of life. This article from the decorative point of view, decorative as the main object of study to study the meaning of decoration in the ceramic art.