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卓菲娅·丽莎与汉斯立克在音乐美学思想上的对立 ,其焦点问题是对音乐的“内容与形式之关系”看法上的根本对立。爱德华·汉斯立克为了使他的“形式”即内容 ,内容即形式”的观点更有说服力 ,提出了所谓“精神内涵”的概念范畴 ,其实是指一种幻想力 ,这与康德所说的“天生的心理能力”是一脉相承的。丽莎在坚持辩证唯物主义美学一般原则的基础上 ,探讨了音乐本体的特殊规律 ,提出了艺术“主题”的概念范畴 ,并在此基础上 ,揭示出“音乐主题”的本质内涵 ,从而使她的内容决定形式、形式取决于内容的观点更具说服力
Zhuo Feiya Lisa and Hansi Like in the aesthetic ideas of music on the opposition, the focus of the problem is the music of the “content and form of the relationship” view of the fundamental opposition. In order to make his view of “form”, ie content and content as form, more convincing, Edward Hanslick put forward the concept category of so-called “spiritual connotation”, in fact, refers to a kind of illusion, On the basis of adhering to the general principles of dialectical materialism aesthetics, Lisa explores the special laws of music ontology and puts forward the conceptual categories of art “subject”. On the basis of this, Reveals the essential content of “music theme”, so that her content determines the form of the form depends on the content of the point of view more convincing