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冯小刚的喜剧电影在国内一向颇负盛名,这种最初开始于王朔小说的京味儿幽默,在冯氏电影中得到了极大的发扬。冯氏幽默深深扎根于中国文化,同时兼具时代特色,它对传统和现代、后现代的审美情趣始终秉持开放性的姿态,同时又有选择地进行吸收、融合。本文将对话语幽默所蕴含的一些文化元素进行浅析。
Feng Xiaogang’s comedy film has always enjoyed a good reputation in China. This kind of humor, which originally started in Wang Shuo’s novel, has been greatly promoted in Feng’s film. Feng’s humor is deeply rooted in Chinese culture and at the same time has the characteristics of the times. It always holds an open attitude toward the aesthetic taste of tradition, modernity and post-modernity, and at the same time selectively absorbs and integrates. This article analyzes some of the cultural elements inherent in discourse humor.