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家庭妇女,顾名思义是已婚后全职服务于家庭,不外出工作,一心照顾家庭的妇女。在文学作品中,家庭妇女形象在刻画的女性形象中也占了很大比例,属于传统的女性形象之一,也是比较经典的女性形象。而朝鲜族作家林元春的《亲戚之间》与回族女作家霍达的《穆斯林的葬礼》,是当代少数民族文学中的优秀作品。《亲戚之间》中作者以朴实的笔调,刻画了一个言语不多,但富有鲜明个性的典型朝鲜族家庭妇女形象——铜佛寺嫂子。《穆斯林的葬礼》中作者塑造了一个经历过太多刻骨铭心,以及苦难与无奈的回族家庭妇女——梁君璧。本文将通过平行研究的方法,对这两位人物形象进行对比剖析。从两位人物不同的处境下,来分析她们的形象特征,进而折射这两个家庭的命运,以及最终结局的必然性。
Home women, as their name implies, are married, full-time and serve their families, and do not go out to work and take care of their families. In literary works, the image of the family women also accounts for a large proportion of the female images portrayed, belonging to one of the traditional female images and also the classic female image. The “relatives” of the Korean writer Lin Yuanchun and the “Muslim funeral” of the Hui female writer Hoda are outstanding works of contemporary minority literature. The author of “Relatives and Relatives”, with his simple style of writing, portrayed the image of a typical Korean woman who speaks little but has a distinctive personality - the sister-in-law of the copper temple. The author of “Muslim Funerals” shaped a woman of the Hui family who had undergone too many unforgettable years of suffering and helplessness - Liang Junbi. In this paper, through the method of parallel research, the two characters are compared and analyzed. From the two different circumstances, to analyze their image characteristics, which in turn reflects the fate of these two families, and the inevitability of the final outcome.