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中国文学自产生以来便与知识分子有着密不可分的联系,一方面知识分子创造了中国文学,另一方面,文学中不乏诸多表现知识分子的写作,可见知识分子这一群体的重要地位。鲁迅作为中国现代文学的先锋,从真正意义上开启了现代文学中知识分子的写作范式。本文试以其《呐喊》、《彷徨》两部小说集为例,分析其中几类知识分子形象及鲁迅对待不同类型知识分子的态度,从而提出对现当代知识分子写作的借鉴意义。
Since the birth of Chinese literature, it has been inextricably linked with intellectuals. On the one hand, intellectuals have created Chinese literature. On the other hand, there have been many writings of performance intellectuals in literature, showing the important position of intellectuals. As the vanguard of Chinese modern literature, Lu Xun opened the paradigm of intellectual writing in modern literature in a real sense. This paper tries to analyze the image of several kinds of intellectuals and the attitude of Lu Xun to different types of intellectuals by taking the two novel collections of “Shout” and “Imitation” as examples, and put forward the reference significance for the writing of modern and contemporary intellectuals.