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1989年,我第一次到巴黎,在国际艺术城作半年的学术考察,巴黎的卢浮宫、奥赛博物馆里欧洲油画大师的经典原作把我震住了,我和很多中国画家的感受一样,见到原作才发现我们被画册骗了那么多年。欧洲油画从造型到色彩的写实水平是如此精妙、如此丰富,我对自己在写实方向上的发展完全没有信心了。我感觉,唯一的出路就是转向现代表现主义,于是我开始崇拜德国的德·库宁。我觉得我的性情很接近德·库宁,在国际艺术城,我画了四幅
In 1989, for the first time in Paris, I studied in the International Art City for half a year. I was shocked by the classic works of the European oil painting masters in the Louvre and Orsay Museum in Paris. Like many Chinese painters, When I saw the original book, I found out that we were cheated for so many years in the album. The realistic level of European painting from styling to color is so exquisite and so rich that I have absolutely no confidence in my own development in realism. I feel that the only way out is to turn to modern expressionism, so I started to worship German Kunin. I think my temperament is very close to de Koenin, in the International Art City, I drew four