印象之印象

• 作 者: 辛丰年
• 出 处: 视听技术
• 发表日期: 2003年04期

听惯了古典、浪漫派,忽然接触到《牧神》,耳朵为之一亮,那新鲜感不可形容！ 德彪西的许多大作,于我是难懂的,正如读李贺的诗,何其新、奇,又何其费解！ 现代音乐新潮的闸门由他打开,但他又像是一个“终极”(或“总结”)。“从巴赫到德彪西”,能否看做西方乐史上最能为多数听众共鸣的一段呢?

Accustomed to the classical, romantic school, suddenly exposed to the “animal husbandry,” one of the bright ears, that fresh can not describe! Many of Debussy’s masterpieces are hard to understand to me, just as reading the poems of Li He, how new and odd, why so much to understand! He opens the floodgates of modern music, but he also looks like an “ultimate” (or “summed up”). “From Bach to Debussy”, can we be regarded as the most sympathetic to most listeners in Western music history?