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当今的中国导演是否太缺少卡梅隆、斯皮尔伯格式的童真?对于艺术创作,我们是否太缺乏想象力? 詹姆斯·卡梅隆十年磨一剑的巨片《阿凡达》已经成为世界级的文化事件了——自2009年12月底全球公映以来,这部3D立体大片所向披靡,好评如潮,但这场被中国观众调侃为“拆迁公司与钉子户之间的较量”真有那么棒吗?人类毁坏了自身生存的地球还不算完,一脚踏上潘多拉星球准备攫取价值连城的地下矿藏,与当地纳威土著人发生剧烈冲突,人类要把纳威人赶出家园而后者宁死不屈。男主角杰克在这场轰轰烈烈的“拆迁”大战中发挥了关键作用,他在人类和模仿纳威人的“阿凡达”之间来回转换,结果当然很“好莱坞”——杰克背叛
Is it too lacking in Cameron’s and Spielberger’s innocence for today’s Chinese directors? Are we too imaginative about the art? James Cameron’s ten-year-old megaphone “Avatar” has become world-class Cultural Events - This 3D blockbuster has won great acclaim since its global release in late December 2009, but was ridiculed by the Chinese audience as “a bout between demolition companies and nails”? Human beings destroyed their own survival of the Earth is not finished, a foot on the Pandora planet ready to seize the priceless underground mineral deposits, and local Neville natives in violent clashes, humans should be out of their homes Nwe people and die rather than die. Jack, the leading actor, played a key role in this spectacular “Demolition” war where he switched back and forth between humans and the avatar’s Avatar, of course. “Hollywood ” - Jack betray