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汉代画像砖石上丰富的乐舞形象对中国古代舞蹈资源的认识和开发利用意义重大。在大量的考古统计分类工作基本完成后,汉代乐舞的形态已基本呈现,“什么人跳”和“跳什么”的问题已基本解决。但是进一步的“为什么跳”、“怎么跳”的问题认识还很不统一。笔者认为,对乐舞表演仪式的整体性和过程性的研究是汉画像舞蹈研究的重点和难点,这决定了古代舞蹈研究指导编舞实践的最终呈现方式。本文仅就建鼓舞在汉舞中的地位和作用做一概述,希引起研究者和编舞者对古代舞蹈进行再认识的关注。
Han Dynasty portraits rich in masonry dance image of the ancient Chinese dance resources, understanding and development and utilization of great significance. After a large number of archeological statistical work is basically completed, the form of music and dance in the Han Dynasty has basically taken shape. The problem of “what people jump” and “what to jump” has been basically solved. But further “why jump ”, “how to jump ” understanding of the problem is still not uniform. The author believes that the study of the integrity and process of the performance of the music and dance ceremony is the key and difficult point of the study of the dance of the Han Dynasty, which determines the ultimate presentation of the practice of choreography in the study of ancient dance. This article only gives an overview of the status and role of inspirational dance in Chinese dance, and hopes that researchers and choreographers will pay more attention to the recognition of ancient dance.