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东汉末文字书写的文本载体处于简、纸并用阶段,简牍是正式的文本形式,纸只是作为一种非正式的文本形式,与私书等世俗化、娱乐性文本关系密切。与简牍相比,纸轻便、价廉,扩大了文字书写空间,使书写者抒情达意更为直接与自由。纸的流播和使用引起私书传播的兴盛,导致了汉末草书热和草书字体的演变,使草书字体自身也成为独立的审美符号。东汉末年,品评草书、追求书写文字的字体美感成为人们自觉的书写行为,由此引起汉末书法新变,即中国书法开始由自为阶段进入自觉阶段。从传播学角度看,这种新变是由媒介导引的一场书写革命。
At the end of the Eastern Han dynasty, the text carrier of writing was in the stage of concise and in-use. Jane was the formal text form. Paper was only used as an unofficial form of text closely related to secular and entertaining texts such as private books. Compared with Jane,, paper lightweight, inexpensive, expanding the writing space, the writer lyrical meaning more direct and free. The spread and use of paper caused the flourishing of the spread of private books, which led to the evolution of the cursive script of cursive script in the late Han Dynasty and the cursive script itself becoming an independent aesthetic symbol. In the late Eastern Han dynasty, the aesthetic style of cursive cursive writing and the pursuit of writing became the conscious writing behavior of the Chinese people. As a result, calligraphy in the late Han Dynasty changed dramatically, that is, Chinese calligraphy began to enter the conscious phase from its own stage. From a communication point of view, this new change is a media-led revolution in writing.