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“座”为坐具,在中国古代经历了两个阶段,“席地而坐”阶段与“垂足而坐”阶段。汉代以前,因古人席地起居的生活习惯,“坐”的方式为席地而坐,“座”的形态即表现为席、茵席、床、榻等;西晋之后,胡坐、胡床(交椅、马扎)传入中原,逐渐流行,至唐代得到进一步发展,在马扎上加入靠背与扶手,形似后世的“交椅”;五代时期,家具随之由低向高转变,椅子应运而生,高型家具渐渐取代低型家具,成为日常生活的主流形态;宋代坐具在造型和结构上更趋于合理,受程朱理学的影响,出现了直线、直角结构;至明代,“座”
“Seat ” for the seat, in ancient China has gone through two stages, “sitting and sitting ” stage and “sit down and sit ” stage. Before the Han Dynasty, because of the living habits of the ancients, they sat for the place, and the form of “seat” showed as seats, seats, beds, couches, etc. After the Western Jin Dynasty, , Mazar) into the Central Plains, gradually popular, to the Tang Dynasty to be further developed, joined the backrest and handrail on Mazar, similar to future generations “furniture ”; furniture, followed by low to high change, the chair came into being The high-style furniture gradually replaced the low-style furniture and became the mainstream form of daily life. In Song dynasty, the style and structure tended to be more reasonable. Influenced by Cheng Zhu Neo-Confucianism, there appeared a straight line and right angle structure. In the Ming Dynasty, "