通俗文学的转轨与大众审美趣味的变迁——《说说唱唱》的兴与衰

• 作 者: 王力
• 机 构: 江苏师范大学文学院,
• 出 处: 中国现代文学研究丛刊
• 发表日期: 2004年期
• 关键词: 说说唱唱 审美趣味 《说说唱唱》 乡村关系 文学主题 现代文学 叙述方式 后期作品 文学写作 大众审美趣味

《说说唱唱》作为新中国建立之初最重要的通俗文学刊物,既反映了现代文学对城市与乡村关系的重新叙述,也体现了文学写作与传播从意义追求到“思想”姿态追求的深刻变化;其后期作品的公式化倾向则反映出大众审美趣味在新国家意识形态下沉缓变迁的事实。以这一刊物为媒介,可以发现通俗文学变革、新文学主题叙述方式转化、大众审美趣味变迁等方面的深层原因和历史意义。

As the most important literary publication at the beginning of the founding of new China, “talking and singing” not only reflects the re-narration of the relationship between city and country by modern literature, but also reflects the pursuit and pursuit of literary writing and communication from meaning to “thought” . The formulaic tendency of his later works reflects the fact that the aesthetic taste of the public changes slowly under the new national ideology. Using this publication as a medium, we can find the deep-seated reasons and historical significance of the transformation of popular literature, the transformation of the narrative style of the new literature and the changes in the aesthetic taste of the public.