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由中国歌剧舞剧院原创的歌剧《林徽因》在筹备两年后5月15日终于与观众见面了,其新颖的戏剧结构布局与多元音乐手法,对中国歌剧样式进行了新颖的探索,将西方音乐体裁进行了中国民族文化精神的融会与彰显。从宏观结构上看,其两幕八场的形式,上下阙的布局,巧妙地将林徽因的两段情感与艺术才华进行了多侧面展现,而以音乐为主导的戏剧结构推动了剧情的逐层展开。歌剧采用倒叙的手法,序曲与尾声前后呼应,由林徽因生命最后的思索展开并收尾,经由青春的追求和中年的拼搏,将这位中国20世纪享有盛誉的一代才女的人生进行了艺术化的咏叹。
The original opera “Huiyin” by the China Opera and Dance Theater finally met with the audience two years later on May 15, its novel structure and diversity of musical structure, and a novel exploration of the Chinese opera style. Western music The genre embodies the integration and demonstration of the spirit of Chinese national culture. From the perspective of the macro structure, the layout of the two scenes and the eight plays makes the multi-faceted display of the two emotions and artistic talents of Lin Huiyin, while the drama structure dominated by music promotes the story-by-story Expand. The opera adopts the tactics of flashback. The prelude and the echoes echo from before and after, and the final thinking of Lin Huiyin expands and finishes. Through the pursuit of youth and middle-aged hard work, the Chinese talented generation of the talented generation of the twentieth century has been artistically chant.