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以安徽省书画院为主体的“黄山风”画展于1998年9月1日起在北京中国美术馆展出,尤如从黄山吹来的清风,给首都观众留下了难忘的印象。 这是当代安徽中国画家近50年来首次在北京的群体性作品展示,不独显示出对新生活与时代精神的由衷感受,还显示出继往开来的胸怀。安徽中国画家鼎力推出的“黄山风”画展,是旨在以“黄山风”为主旨,凝聚新的艺术阵容,弘扬“徽派”文化精神,加大其向现代转化力度的重大举措。 无疑,“黄山风”画展是对安徽中国画艺术事业在新形势下形态、特征、艺术语言、风格的总体概括与归纳。 就展出的150件作品来看,囊括了人物、山水、花鸟等门类,以中青年为主
The “Huangshan Wind” exhibition featuring Anhui Painting and Calligraphy Institute as its main body was exhibited at the China National Art Museum in Beijing on September 1, 1998, just as the breeze blowing from Huangshan left an unforgettable impression on the capital’s audience. This is the first time that a group of Chinese contemporary artists in Anhui in the past 50 years showed their group work in Beijing. They not only showed their sincere feelings about the new life and the spirit of the times, but also showed the mind of the future. The “Huangshan Wind” exhibition, an exhibition dedicated by Anhui Chinese painters, is a major move aimed at “Huangshan Style” as the theme, to unite the new art lineup, promote the “Huizhou” cultural spirit and increase its transformation to the modern age. No doubt, the “Huangshan style” art exhibition is a general summary and induction of the form, characteristics, artistic language and style of Anhui Chinese painting art in the new situation. On the display of 150 works, including characters, landscapes, flowers and birds and other categories, mainly young and middle-aged