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通常人们面对艺术作品特别是雕塑艺术作品时,首先见到的是它直接呈现出的样式或形态,而观众往往自觉或不自觉地以固有的、于前期建立起来的视觉经验来解读它,追究它的意蕴或内容,这就使作品的阐释有着无限可能,甚至会出现这样或那样的误读、曲解,变成了“画不尽言,言不尽意”。如何使观众了解艺术作品的创作及思想状态,如何通过艺术展览深度体现雕塑作品的文化脉络,提升自身的学术品质,南京博物院2014年9月举办的“铜塑美国西部”青铜雕
Usually people face the art works, especially sculpture works of art, the first thing they see is the style or form it presents directly, and the audience often consciously or unconsciously with the inherent, established in the previous visual experience to interpret it, To investigate its meaning or content, which makes the interpretation of the works have unlimited possibilities, and even one or the other misunderstood, misinterpreted, turned into “not to paint, not to say ”. How to make the audience understand the creation and ideological status of artistic works, how to embody the cultural context of sculptural works through artistic exhibitions and enhance their own academic qualities? The Bronze Sculpture of Western Bronze Sculpture Held in Nanjing Museum in September 2014