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一场新书发表会沿着凉州街前往“台北当代艺术中心”中途会经过一处庙口,树荫浓密的榕树下尽是佛跳墙、黑白切、米粉汤等台式小吃的摊位,人们喝着啤酒,天南地北无所不谈,一派老台北的庶民情调。台北当代艺术中心新址正是在台北城市发展的起点——大稻埕。作为一处公共空间,它的属性与两街之隔的砖造长老教会(1885年重建的枋隙礼拜堂)形成强烈对比。或许是出于对“新基地”的向往,尽管《台湾当代艺术策展20年》的新书发表会距重新开幕还有不到半个月,玻璃门内的
A new book presentation will be held along Liangzhou Street to “Taipei Contemporary Art Center” halfway through a temple entrance. Under the thick banyan tree, there are booths for Buddha’s dances, black and white cut, and noodle soup. People drank Beer, North and South all the talk, a group of ordinary people in Taipei’s mood. The new site of the Taipei Center for Contemporary Art is the starting point for Taipei’s urban development. As a public space, its properties are in stark contrast to the Brick-built Presbyterian Church (rebuilt in 1885) across the street. Perhaps it is because of the longing for “New Base ”. Although the publication of the book titled “20 Years of Taiwan’s Contemporary Art Curator” is still less than half a month after the reopening, the inside of the glass door