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南洋劝业会的大部分场馆设计对国外博览会场馆设计的模仿最为突出,其场馆设计是由中国人完成的,而非借助外国人之手。该会场馆设计可能是把1903年日本大阪第五回博览会作为最完善的参考样板,同时对其他国家博览会场馆设计也有所借鉴,总体上本会的场馆体现的是中外设计杂糅风格。由中国人自行设计和对国外博览会的场馆设计模仿、较多展馆中外合璧的设计样式与风格,反映出了20世纪初中国设计以模仿西方为主的态势,一定程度上也折射出了中国设计本土化的思想萌生,同时也反映出了此时期以会展为介质的中外设计交流思想的初步发展。
Most of the venues in the Nanyang Quetare Pavilion are the most prominent imitations of the exposition design of the expositions overseas. Their venues are designed by Chinese rather than foreigners. The venues design may be the 1903 Osaka, Japan, the fifth back to the Expo as the most perfect reference model, while other countries Expo venues also draw lessons from the design, in general, this venue reflects the mix of Chinese and foreign design style. The designs of Chinese venues and the imitation of venues in foreign expositions. The design styles and styles of more Chinese and foreign pavilions in the exhibition hall reflect the trend of China in the early 20th century in imitating the Western designs and, to a certain extent, China Design localization initiation, but also reflects the initial development of the exchange of ideas between China and foreign countries to show for the medium during this period.