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六十年代初,歌剧《江姐》一上演便轰动全国,一曲“红梅赞”唱遍大江南北。今年七·一前夕,空政文工团第四次复排《江姐》,仍然受到观众的热烈欢迎。与此同时上海、株州、哈尔滨、西安、重庆、内蒙、湖北、山东等地的歌剧院团也都在排练、演出此剧,仅上海歌剧院就已连演百场,观众达13万多人次,净收入14.4万多元。这一现象引起了戏剧界的关注,为此,本刊特邀请了首都歌剧界的几位同志,就《江姐》久演不衰的现象进行座谈,从中总结出一些规律性的问题,以促进民族歌剧的繁荣与发展。
In the early sixties, the opera “Jiang Jie” staged a sensation throughout the country, a “Hongmeizan” singing all over the major north-south. On the eve of July 1 this year, the ARATS rehearsed the “Sister Jiang” for the fourth time and was still warmly received by the audience. At the same time, the opera troupes in Shanghai, Zhuzhou, Harbin, Xi’an, Chongqing, Inner Mongolia, Hubei and Shandong are rehearsing and performing the show. Only the Shanghai Opera House has even staged a show of more than 130,000 spectators The number of net income of more than 144,000 yuan. This phenomenon aroused the concern of the drama industry. To this end, the magazine invited a few comrades in the capital’s opera industry to hold informal discussions on the performance of “Jiang Jie” for a long time and summarized some regular problems Promote the prosperity and development of national opera.