论文部分内容阅读
钱钟书先生曾经在研究如何改编这部作品时对黄蜀芹说:“媒介物决定内容,把杜甫的诗变成画,用颜色、线条,这里,杜诗只是素材,画是成品。你是导演,导演是新作者。照你的媒介物的需要,完全可以放开手进行处理。”钱老的话,颇有道理。在新的媒介物面前,即一种艺术形态转换成另一种艺术形态时,成品变成了素材。如何将这些素材再度转换成新的成品?这需要“新作者”“放开手进行再创造。”从小说到电视剧,是运用屏幕媒介物对文学媒介物的美学转换,是运用造型语言对文学语言的形象转
Qian Zhongshu once studied Huang Shuqin while studying how to adapt this work: “The medium decides the content, turns Du Fu’s poetry into a painting, uses the color, the line, here, Du Fu is only the material, the painting is the finished product.You are the director , The director is the new author.According to the needs of your media, you can completely open hand for processing. ”Qian old saying, makes sense. When new forms of art are transformed from one form of art into another, the finished product becomes a material. How to re-convert these materials into new finished products? This requires the “new author” to “let go and re-create.” From novels to TV series, the use of screen media on the aesthetic transformation of literary media is the use of stylistic language to literature The image of language turn