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编辑同志: 你刊今年第十二期上任桂林同志《杂谈四则》一文,看来许多观点很有问题。我们认为有加以驳斥和澄清的必要。去年以来,我国戏曲界实现了空前大跃进。由于党的领导的加强,艺人的积极性空前高涨,戏曲新人大批涌现,青年演员人才辈出。大跃进是党加强了领导、政治挂帅、群众觉悟提高的结果。这是我们对目前戏曲工作的看法,可是任桂林同志却有完全不同的看法,他认为,“目前,命令主义相当滋长,……剧团中事无巨细,一切由党来管,把艺人甩在一边,依靠
Editor’s Comrade: You published the twelfth year Comrade Guilin “gossip four” article, it seems that many views are very problematic. We think it necessary to refute and clarify. Since last year, the Chinese opera industry has achieved an unprecedented great leap forward. Due to the strengthening of the party’s leadership, the enthusiasm of the artists has been on an unprecedented rise, a large number of new drama come forth, and young talents come forth in large numbers. The Great Leap Forward is the result of the party’s stepping up its leadership, bringing politics under control, and raising the awareness of the masses. This is our view on the current drama work. However, Comrade Ren Guilin has a completely different view. In his opinion, "At present, the orderism has enjoyed a remarkable growth. ...... The troupe has nothing in its place and everything is controlled by the party and the artist is left behind Rely on