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抗战胜利60周年纪念高潮迭起,红色经典电视剧荧屏热播。从《烈火金刚》到《小兵张嘎》,从《吕梁英雄传》到《铁道游击队》,都新瓶装旧酒,乔装打扮老剧重拍,引领人们进入那战火纷飞的抗战年代,接受革命英雄主义和爱国主义的教育洗礼。抗战影视一再重拍无疑反映创新能力欠缺应该说,抗战题材影视剧具有形象生动、直观感人的特殊艺术效果。但是一再重拍,无疑反映了后继乏人,创新能力欠缺。更关键在于,上世纪四五十年代诞生的抗战小说,限于当时的历史条件,我军和日军形象概念化、脸谱化,叙事情节单一,难以适应当前国民素质和抗战宣传教育宗旨。这样的缺陷在重拍的剧作中并没改变,反而随着电影科技与摄影手段的提高,有进一步强化的趋向。抗战老电影中,我军指挥员基本上由王心刚、郭振清、李默然等英俊人物扮演,浓
The 60th anniversary of the victory of the Anti-Japanese War commemorates a climax, red classic television screen hits. From “Fireball” to “Soldier Zhangxie”, from “Luliang Heroes” to “Television Railway Guerrilla”, all new bottled old wines were remade by disguised operas, leading people into the war-torn anti-Japanese era and accepting revolutionary heroes. Education and patriotism education baptism. The repeated remake of the film and television of the Anti-Japanese War undoubtedly reflected the lack of innovative ability. It should be said that the anti-war film and television drama has a special artistic effect that is vivid, intuitive and moving. However, repeated re-shooting undoubtedly reflects the lack of follow-up and lack of innovative ability. More importantly, the anti-Japanese fiction that was born in the 1950s and 1950s was limited to the historical conditions at that time. The image of our army and Japanese army was conceptualized, profiling, and narrated. It was difficult to adapt to the current national quality and the purpose of propaganda and education of the Anti-Japanese War. Such defects did not change in the remake of the drama. Instead, with the advancement of film technology and photography, there is a trend of further strengthening. In the old films of the Anti-Japanese War, our army commanders were basically played by handsome figures such as Wang Xingang, Guo Zhenqing, and Li Moran.