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多情自古伤离别,生别死离是古今中外艺术家的永恒主题。谢晋导演的《清凉寺的钟声》以深刻的艺术穿透力,赋予“离别”以超越时空的丰富意蕴,热情地讴歌了中华民族的善良无私的美德,张扬着人类赖之生存、进步的美好人性,的确称得上是一部情感巨片。影片中的六个离别场面,场场有戏,戏含真情,情与景的交融,情与境的反差,人物情感的矛盾,一个细节,一声呼唤,无不令人潸然泪下、惆怅、感叹。送哑巴出村一场,摄影机细致地捕捉人物的一
Passionate farewell since ancient times wounds, students do not die is the eternal theme of Chinese and foreign artists. Xie Jin’s “Bells of Qingliang Temple” penetrated the profound artistic penetration and given the rich meaning of “parting” beyond time and space, earnestly sang the virtuous and unselfish virtues of the Chinese nation and publicized the survival and progress of mankind Beautiful humanity, indeed regarded as an emotional film. The film’s six farewell scenes, the scene there is drama, the scene contains the truth, the blending of love and scenery, love and the environment contrast, the contradiction of the emotions of characters, a detail, crying, all the tears, melancholy, sigh. Send a dumb out of the village, the camera carefully to capture one of the characters