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毕飞宇自登上文坛以来,作品中常诠释出历史与现实、欲望与痛苦、性格与命运等复杂的主题与内涵。梳理作者的文本不难发现,其中始终未散去的是作品中“疼痛”的基调。本文尝试从作者最初的历史叙事入手,从历史质疑与种姓迷惘的双重痛苦中找出“疼痛”书写的源头和最初形态。另一方面从性别视角介入历史叙事,找到能够平衡这种“疼痛”的力量救赎——母性书写。并通过这两次重读,整合出毕飞宇作品中“疼痛”与“母性”两条线索,意在为作者的风格找到源头,提供更加多元的视角,进而为研究男性作家笔下的女性提供更多的可能性空间。
Since his arrival in the literary arena, Bi Feiyu often interprets the complicated themes and connotations of history and reality, desire and pain, character and destiny. Combing the author’s text is not difficult to find, which has not been dispersed is the tone of “pain” in the works. This article attempts to start from the author’s initial historical narrative and find out the source and initial form of “pain” writing from the double pain of historical questioning and cynic confusion. On the other hand, it involves the historical narrative from the perspective of gender and finds the power redemption-maternal writing that can balance this kind of “pain”. And through these two re-reading, the two clues such as “pain” and “motherhood” in Bi Feiyu’s works are integrated to find the source for the author’s style and provide a more diversified perspective, and then to study the influence of the male writers’ Provide more room for possibility.