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人类在千百年的文明史中把自己的智慧和美学追求集中反映在各个时期风格各异的建筑群中,无论是辉煌厚重的北京故宫、黑瓦白墙的皖南民居,还是把整体形式关系作为艺术本质来表现的欧洲建筑,无不表达了一个永恒的美学准则:通过雄浑、厚重、典雅、华贵的建筑群去表现世界各民族对文化与历史的哲思。中国山水画对建筑早有涉足,但相对而言,建筑在山水画题材中大多作为一种陪衬,表现手法仍显千篇一律。上世纪,李可染等大家成为中国绘画史上具有划时代意义的艺术家,建筑在山水画题材中的表现得到了重视。然而,中国改革
Hundreds of thousands of years of human civilization in the history of their wisdom and aesthetics are concentrated in various periods reflected in the different styles of buildings, whether it is glittering Beijing Imperial Palace, black tile white walls of the South residential, or the overall relationship between form The European architecture expressed as the essence of art expresses an eternal aesthetic criterion: expressing the philosophies of culture and history of all nations in the world through powerful, heavy, elegant and luxurious buildings. Chinese landscape painting has long been involved in the building, but relatively speaking, most of the landscape architecture in the landscape as a foil, the performance is still stereotyped. In the last century, Li Keran and others became artists of epoch-making significance in the history of Chinese painting. The performance of architecture in the theme of landscape painting has been given priority. However, China’s reform