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在《离骚》中,屈原建构出两种不同的空间:故土与乐土。两种空间的并立共存,充分显示了屈原在政治道路、情感意向上的矛盾冲突和进退抉择。如果说《离骚》中的“门”成为隔断故土与乐土的节点,那么“路”则成为沟通这两种空间的桥梁。在神话思维的作用下,屈原将自己的特定情感通过空间方位的特殊取向表现出来,即刻意挑选与强调南方和西方。如果说南方的取向反映屈原企图在故土寻求知音,那么西方的取向则代表他意欲在乐土寻求知音。
In “Li Sao”, Qu Yuan constructs two different spaces: the native land and the paradise. The coexistence of the two kinds of space, fully shows Qu Yuan’s political conflicts in the political road, emotional intentions and advancing and retreat choices. If the “door” in the “Li Sao” becomes the node that separates the native land and the paradise, then the “road” becomes the bridge connecting these two kinds of space. Under the action of mythological thinking, Qu Yuan showed his particular emotion through the special orientation of space orientation, that is, he deliberately selected and emphasized the South and the West. If the orientation of the south reflects that Qu Yuan sought to find his companion in his native land, then the Western orientation would mean that he intended to seek his companion in paradise.