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一、“冬至阳生春又来”的新海派书家集群十九世纪以来,中国文艺界最值得称道之现象莫过于海派书法所掀起的文化浪潮。经百余年的历史演变,海派书法俨然已成为中国近现代书法发展进程的缩影和写照。回首五口通商之初,由于“海禁一开,贸易之盛,无过上海一隅,而以研田谋生者,亦皆于而来,侨居卖画”。(1)可以说,正是在历史、政治、经济、文化、社会和艺术等诸多因素的综合作用下,上海成为了全国的艺术尤其是书画中心。一时大家云集,各种展览、讲演、笔会盛况空前,孕育了带有明显上海烙印的名士风流,先后诞生了任伯年、吴昌硕、沈增
First, the “Winter solstice Yang spring again ” Xinhai School Bookstore cluster Since the nineteenth century, the Chinese literary and art circles the most commendable phenomenon than the Shanghai wave of calligraphy set off by the wave of culture. After more than 100 years of historical evolution, Shanghai School Calligraphy has become a microcosm and portrayal of the development of modern Chinese calligraphy. Looking back at the beginning of the five trade talks, as the “ban on the sea opened, the trade flourished, without a corner of Shanghai, and to make a living by research field, also came from all over the world to sell paintings.” (1) It can be said precisely that under the combined effect of history, politics, economy, culture, society and the arts, Shanghai has become the national center of art, especially painting and calligraphy. All of a sudden we gathered, all kinds of exhibitions, lectures, pens will be unprecedented, gave birth to the eminent Shanghai with a distinctive brand imprint, has Ren Rennian, Wu Changshuo, Shen Zeng